A series of porcelain works referencing armor: chain mail, epaulettes, knee guards. These wearable structures, made of porcelain plates and scales, are objects that function simultaneously as things and as gestures. They refuse to be merely “decor” or “adornment” and instead operate as a manifesto: art can be literally worn on the body while retaining its autonomy and aggressive materiality. Wearable porcelain protects and wounds at once, attracts and repels. It makes visible those boundaries that usually remain unseen: where “pure art” ends and a social act begins, where fashion ends and the performance of identity begins.
